#Shree 420 (1955)

[inmyworldblr]

Shree 420 (1955) | dir. Raj Kapoor

[hotvintagepoll]

Some Nadira propaganda. Specifically, here she is in the 1955 film Shree 420 as the cabaret dancer Maya. I'm not entirely sure if the links will work but it is worth a shot.

https://youtu.be/hP15Jll9F74?si=NLdIWLhv1gRwlctS

https://youtu.be/uEPCcTgSHos?si=OgKDJq-EQiqfJgTc

Link 1:

Link 2:

Nadira vs Bibi Andersson

[hood-ex]

Hey if you're looking for Indian Hindi-language movie recs, these are a few either considered "classics" or have a lot of international followings --

Any film by the director Satyajit Ray (essentially considered India's Scorsese/Fellini/Kurosawa/Tarkovsky/Bergman/etc, in fact several of his movies were the favorites of aforementioned directors), but especially The Apu Trilogy

Pyaasa, 1957 ("Thirster/yearner")

3 Idiots, 2009

Amar Akbar Anthony, 1977

Coolie, 1983 - fun fact, the late Palestinian writer Refaat Alareer said this movie and Amar Akbar Anthony were a couple of his favorites growing up due to their socialist and rebellion-esque themes. Here's an article about it: https://theprint.in/world/gaza-prof-alareer-killed-in-israel-airstrike-wanted-to-write-about-bollywoods-impact-on-intifada/1885631/ A lot of these 70s Hindi-language films were dubbed "angry young man" films as they often featured a young working-class anti-hero protagonist disillusioned with society or his broader circumstances.

Mother India, 1957 (as others have mentioned on your blog)

Awaara, 1951 ("The Vagabond")

Shree 420, 1955 ("Mr. 420". Note - in India, 420 doesn't mean the, er, same thing as it does in the USA. Section 420 of the Indian penal code describes punishment for fraud, so "Mr. 420" is slang for a cheater or fraud. Also, "Shree" is a very respected and formal way to say "Mr./sir" - thus making the title more ironic)

Swades, 2004 ("One's own country")

My Name is Khan, 2010

Kaagaz ke Phool, 1959 ("Paper flowers")

Lagaan, 2001 ("Taxation" especially for land/property)

Taare Zameen Par, 2007 ("Like Stars on Earth")

Hope you find some you like and enjoy!

Wow thank you for the extensive list! I'm excited you added a few from the 1950s. I love seeing different styles and norms from different periods. I have no concept of what the 50s looked like in India, so that'll be exciting for me to analyze for the first time.

I just checked, and I've got easy access to quite a few of these, so I'll definitely check them out!

[secretandpurplememories]

Sometimes I just love my friends so much cause they do crazy things like this 🤭❤️

PYAAR HUA IQRAR HUA HAI , PYAAR SE FIR KYU DARTA HAI DIL .......

SHREE 420 (1955)

[bollywoodirect]

Remembering #Sadhana Shivdasani, one of the most incredible and graceful actresses of Hindi cinema, on her 82nd birth anniversary (02/09).

Sadhana was a prominent figure in Hindi cinema and is remembered as one of its most talented actresses. Known for her striking beauty and fashion-forward style, she earned the nickname "The Mystery Girl" due to her roles in a series of suspense thrillers directed by Raj Khosla in the mid-1960s.

Originally from Karachi, Sadhana moved to Bombay with her family at the age of 7, during the partition of India. She first appeared in an uncredited role in the film Shree 420 (1955) before being mentored by director Sashadhar Mukherjee. Her breakout role came in Love In Simla (1960), where her unique hairstyle became so popular it was dubbed the "Sadhana Cut." She continued to build her reputation as a leading lady in films such as Parakh (1960), Hum Dono (1961), Asli-Naqli (1962), Ek Musafir Ek Haseena (1962), Mere Mehboob (1963), Woh Kaun Thi? (1964), Arzoo (1965), Waqt (1965), Mera Saaya (1966), and Anita (1967).

In the late 1960s, Sadhana faced health challenges due to hyperthyroidism, prompting her to temporarily step away from acting. She traveled to Boston for medical treatment and made a comeback in 1969 with two successful films, Ek Phool Do Mali and Intaqam. In 1974, she ventured into directing with the crime thriller Geetaa Mera Naam, after which she gradually retreated from acting. Her last on-screen appearance was in Ulfat Ki Nayi Manzilein (1994). She was honored with the IIFA Lifetime Achievement Award in 2002.

Sadhana was married to R.K. Nayyar, the director of her film Love in Simla, on March 7, 1966. She was hospitalized at Hinduja Hospital on December 24, 2015, and passed away the following day.

[richdadpoor]

From Shree 420 To Anari, The Highest-Grossing Movies Between 1955-1959

CID stars Dev Anand, Waheeda Rehman and Johnny Walker in the lead. From 1955 to 1959, Bollywood delivered multiple hits that later became evergreen and their stories left the viewers spellbound. Over the decades, Bollywood has delivered some evergreen movies. Some of them have been cult hits while others have set the box office on fire. From critically acclaimed actors to spellbinding stories…

[indiejones]

INDIES TOP 1036 BOLLYWOOD MUSIC ALBUMS OF ALL TIME!

1.       .Pakeezah (1970)

2.       .Kaagaz Ke Phool (1959)

3.       .Aradhana (1969)

4.       .Kati Patang (1970)

5.       .Safar (1970)

6.       .Amar Prem (1970)

7.       .Prem Kahani (1975)

8.       .Do Raaste (196 )

9.       .Anand (1971)

10.   .Prem Nagar (1974)

11.   .Basant Bahar (196 )

12.   .Babul (1950)

13.   . Barsaat (1949)…

14.   .Bambai Ka Babu (196 )…

15.   .Pyaasa (1957)

16.   .Uran Khatola (1955)

17.   .Asli Naqli (196 )

18.   .Shahjehan (1946)

19.   .Nau Do Gyarah (1957)…

20.   .Disco Dancer (1982)

21.   .Ek duuje ke Liye (198 )

22.   .Parakh (1960)

23.   .Daag: A Poem of Love (1973)

24.   .Bhabhi (1957)

25.   .Teesri Manzil (1966)

26.   .Sachcha Jhutha (1969)

27.   .Guide (1965)

28.   .CID (1956)….

29.   .Love Story (1981)...

30.   .Anurodh (197 )

31.   .Aap Ki Kasam (1974)

32.   .Baharon ke sapne (1967)

33.   .Souten (1983)

34.   .Mehboob ki Mehndi (1971)

35.   .Saraswatichandra (196 )

36.   .Jis desh mein Ganga behti hai (195 )

37.   .Madhumati (1958)

38.   .Tansen (1943)

39.   .Do Aankhen Barah Hath (195 )

40.   .Shirdi ke Sai Baba

41.   .Dil Diya Dard Liya (196 )

42.   .Satyam Shivam Sundaram (1978)

43.   .Mughal-e-Azam (196 )

44.   .Anari (195 )

45.   .Namak Haraam (1973)

46.   .Dil Ek Mandir (1963)

47.   .Seema (195 )

48.   .The Train (1970)

49.   .Haathi Mere Saathi (1971)

50.   .Joru Ka Ghulam (197 )

51.   .Bandini (1963)

52.   .Bawarchi (1971)

53.   .Dil Apna Aur Preet Parai (196 )

54.   .Saagar (1985)

55.   .Ek Dil Sau Afsane (1963)

56.   .Apna Desh (1972)

57.   .Mela (1948)

58.   .Pyar Mohabbat (1966)

59.   .Solva Saal (1958)

60.   .Dr. Vidya (1962)

61.   .Chalti Ka Naam Gaadi (1958)

62.   .Dil Hi To Hai (1963)

63.   .Dushmun (1971)

64.   .Tyaag (1977)

65.   .Mere Jeevan Saathi (1972)

66.   .Ganga Jumna (1961)

67.   .Kala Pani (1958)

68.   .Hum Dono (1961)

69.   .Naya Daur (1957)

70.   .Sanjog (1960)

71.   .Chaudhvin ka chand (1960)

72.   .Anuraag (1972)

73.   .Teen Devian (1965)

74.   .Teesri Kasam (196 )

75.   .Taj Mahal (196 )

76.   .Son of India (196 )

77.   .Kismet (1943)

78.   .Junglee (1961)

79.   .Kathputli (1957)

80.   .Tere Ghar Ke Saamne (1963)

81.   .Anupama (196 )

82.   .Aakraman (1975)

83.   .Bundalbaaz (1976)

84.   .Aavishkar (1974)

85.   .Jab Pyar Kisise Hota hai (1961)

86.   .Mahal (1949)

87.   .Kabhi Kabhie (1977)

88.   .Bhai Bhai (195 )

89.   .Rani Rupmati (195 )

90.   .Jai Santoshi Maa (197 )

91.   .Aan Milo Sajna (197 )

92.   .Waqt (196 )

93.   .Mera Saaya (1966)

94.   .Love Marriage (1959)

95.   .Samadhi (1972)

96.   .Chandni (198 )

97.   .Aag (1948)

98.   .Musafir (1957)

99.   .Tarana (1950)

100.                        . Silsila (198 )

101.                        .Aandhi (197 )

102.                        .Albela (1951)

103.                        .Prince (1969)

104.                        .Pagla Kahin Ka (1970)

105.                        .An Evening In Paris (1967)

106.                        .Chhote Sarkar (1974)

107.                        .Preetam (1971)

108.                        .Dillagi (1949)

109.                        .Hatyara (1977)

110.                        .Ajnabee (1974)

111.                        .Anokhi Raat (1968 )

112.                        .Mehbooba (1976)

113.                        .Dil Daulat Duniya (1972)

114.                        .Duniya (1968)

115.                        .Paraya Dhan (197 )

116.                        .Naukri (1978)

117.                        .Lamhe

118.                        .Saajan (1969)

119.                        .Mera Naam Joker (1970)

120.                        .Kashmir Ki Kali (1964)

121.                        .Lal Kunwar (1952)

122.                        .Pyar Kiye Jaa (196 )

123.                        .Kinare Kinare (1963)

124.                        .Aashiq (1962)

125.                        .Mukti (1977)

126.                        .Boot Polish (1954)

127.                        .Shree 420 (1955)

128.                        .Phagun (1958)

129.                        .Dil deke dekho (195 )

130.                        .Parichay (197 )

131.                        .Khamoshi (1969)

132.                        .Nagin (1954)

133.                        .Aa Gale Lag Jaa (1973)

134.                        .Himalay Ki God Mein (1965)

135.                        .Jaagte raho (195 )

136.                        .Prem Pujari (197 )

137.                        .Bombay (1995)

138.                        .Mere Sanam (196 )

139.                        .Sargam (197 )

140.                        .Daag (1952)

141.                        .Professor (196 )

142.                        .Gambler (1971)

143.                        .Tumse Achha Kaun Hai (1969)

144.                        .Tinku (1977)

145.                        .Yahudi (1958)

146.                        .Nikaah (198 )

147.                        .Lal Patthar (196 )

148.                        .Dhanwan (1981)

149.                        .Prem Bandhan (1979)

150.                        .Ziddi (1948)

151.                        .Mera Desh Mera Dharam (1973)

152.                        .Manoranjan (1974)

153.                        .Talash (1969)

154.                        .1942 A Love Story

155.                        .Raja Rani (1973)

156.                        .Bluff Master (1963)

157.                        .Ishk Ishk Ishk (1974)

158.                        .Munimji (1955)

159.                        .Andaz (1949)

160.                        .Bhola Bhala (1978)

161.                        .Maryada (197 )

162.                        .Brahmachari (1968)

163.                        .Loafer (1973 )

164.                        .Andaz (1971)

165.                        .Amar Deep (1979)

166.                        .Avtaar (1983)

167.                        .Maha Chor (1976)

168.                        .Rajput (1981)

169.                        .Jewel Thief (1967)

170.                        .Roti (1974)

171.                        .Sazaa (1951)

172.                        .Hare Rama Hare Krishna (1971)

173.                        .Khel Khel Mein (1975 )

174.                        .Banarasi Babu (1973)

175.                        .Waris (1969 )

[musicverse11]

Mukesh’s Timeless Hits: Songs That Still Resonate

Mukesh Chand Mathur, better known simply as Mukesh, was an iconic playback singer whose voice became a cornerstone of Bollywood’s golden era. His ability to evoke deep emotions and connect with audiences through his heartfelt renditions set him apart from his contemporaries. From the 1940s to the 1970s, Mukesh’s songs captured the essence of Indian cinema, blending profound lyrics with his soulful voice.

This article delves into Mukesh’s journey, his rise to fame, and the legacy of timeless music he left behind.

Early Life and Musical Beginnings

Mukesh was born on July 22, 1923, in Delhi, into a middle-class family. As the sixth of ten children, Mukesh’s early life was marked by simplicity. He initially pursued a career in the public works department, but music was always a significant part of his life. His first exposure to music came through his sister, who was learning classical singing. Mukesh would often listen to her lessons from an adjacent room, inadvertently cultivating his passion for the art.

His big break came when a distant relative, actor Motilal, noticed his talent at a family wedding. Motilal brought Mukesh to Bombay (now Mumbai) and arranged for him to receive formal training in music under the guidance of Pandit Jagannath Prasad. These lessons laid the foundation for Mukesh’s entry into the world of Bollywood.

Mukesh’s Early Career: The Saigal Influence

Mukesh’s initial years as a playback singer were heavily influenced by the legendary K.L. Saigal. His first recorded song, “Dil Hi Bujha Hua Ho To,” in the 1941 film Nirdosh, did not garner much attention. However, in 1945, his song “Dil Jalta Hai To Jalne De” from Pehli Nazar brought him into the limelight. This melancholic tune struck a chord with audiences, showcasing Mukesh’s ability to convey deep emotions.

K.L. Saigal himself mistook Mukesh’s voice for his own, saying, “I don’t remember recording this song,” a testament to Mukesh’s early style. While this flattery was an honor for Mukesh, he soon realized the need to establish his own identity as a singer.

Finding His Unique Voice

The turning point in Mukesh’s career came through his collaboration with composer Naushad Ali. Naushad encouraged Mukesh to move away from imitating Saigal and develop his unique voice. This advice bore fruit in films like Andaz (1949), where Mukesh sang unforgettable songs such as “Toote Na Dil Toote Na.” The film starred Dilip Kumar, Nargis, and Raj Kapoor, marking the beginning of Mukesh’s legendary association with Raj Kapoor.

Mukesh’s voice became synonymous with Raj Kapoor’s on-screen persona, embodying the romanticism and vulnerability that Kapoor often portrayed. Their collaboration produced numerous hits over the years, cementing Mukesh’s place in Bollywood history.

Mukesh and Raj Kapoor: A Match Made in Musical Heaven

Mukesh’s career skyrocketed through his association with Raj Kapoor. Their partnership became one of the most iconic duos in Bollywood. Mukesh’s voice perfectly complemented Kapoor’s acting style, making songs like “Awara Hoon” (Awaara, 1951) and “Mera Joota Hai Japani” (Shree 420, 1955) instant classics.

Mukesh had an unparalleled ability to bring out the emotional nuances of Kapoor’s characters. Whether it was the playful optimism of “Awaara Hoon” or the melancholic introspection of “Jeena Yahan Marna Yahan” (Mera Naam Joker, 1970), Mukesh’s voice became the soul of Kapoor’s films.

Timeless Classics That Define Mukesh

Mukesh’s songs remain evergreen, cherished across generations. Some of his most celebrated tracks include:

“Kahin Door Jab Din Dhal Jaaye” (Anand, 1971): A poignant song that reflects on life and mortality, resonating deeply with listeners.

“Kabhi Kabhie Mere Dil Mein” (Kabhi Kabhie, 1976): A romantic ballad that showcases Mukesh’s ability to convey love’s intensity.

“Ek Pyar Ka Nagma Hai” (Shor, 1972): A song of hope and resilience, often regarded as one of Bollywood’s most inspirational tracks.

“Dil Se Teri Nigah” (Jahan Ara, 1964): A delicate melody that highlights Mukesh’s classical inclinations.

These songs not only defined Mukesh’s career but also became anthems for the emotions they represented.

Awards and Recognition

Mukesh’s contributions to Bollywood music were recognized with numerous accolades. He won the National Film Award for Best Male Playback Singer for “Kai Baar Yuhi Dekha Hai” (Rajnigandha, 1973). Additionally, he received four Filmfare Awards for songs like “Sab Kuch Seekha Humne” (Anari, 1959) and “Kabhi Kabhie Mere Dil Mein” (Kabhi Kabhie, 1976).

Despite his fame, Mukesh remained humble, crediting his success to the composers and lyricists who shaped his songs. His collaborations with legends like Shankar-Jaikishan, R.D. Burman, and Laxmikant-Pyarelal further enriched his repertoire.

The Tragic Loss and Enduring Legacy

On August 27, 1976, Mukesh suffered a heart attack while on a concert tour in Detroit, USA. His sudden demise left the Indian music industry in shock. However, his legacy lives on through his timeless music, which continues to inspire and move listeners.

Mukesh’s son, Nitin Mukesh, carried forward his father’s musical legacy, while his grandson, Neil Nitin Mukesh, ventured into acting. Mukesh’s impact extends beyond his family, influencing countless artists and fans across the globe.

Conclusion

Mukesh soulful voice and emotive renditions earned him a permanent place in the hearts of music lovers. His songs transcend time, continuing to evoke joy, love, and melancholy in equal measure. From the streets of India to international concert halls, Mukesh’s music remains a testament to his unparalleled artistry.

Discover Mukesh’s timeless classics on music streaming platforms and revisit the golden era of Bollywood. Share your favorite Mukesh songs with friends and family to celebrate the legacy of this unforgettable voice.

[desicinema20]

"The Evolution of Desi Cinema: From Classic Bollywood to the Rise of Indie Filmmaking"

Introduction:

Desi cinema has undergone a remarkable transformation over the years. From the golden age of Bollywood with iconic stars like Raj Kapoor and Amitabh Bachchan to the explosion of independent filmmaking and regional cinema, Indian films have evolved in ways that mirror the changing social, cultural, and political landscapes of the country. In this blog post, we’ll take a look at the key phases in the evolution of desicinemas and explore how it has transformed into a more diverse and complex medium for storytelling.

The Golden Age of Bollywood (1950s–1970s):

The golden age of Bollywood marked a period of immense creativity and storytelling innovation. Directors like Guru Dutt, Raj Kapoor, and Bimal Roy created some of the most beloved classics in Indian cinema, with films like Pyaasa (1957), Shree 420 (1955), and Do Bigha Zamin (1953). These films often dealt with social issues like poverty, class disparity, and the challenges of post-independence India.

The 1960s and 1970s saw the rise of the "angry young man" genre, with Amitabh Bachchan becoming the quintessential star of the era. Films like Zanjeer (1973), Deewaar (1975), and Sholay (1975) became monumental successes, blending action, drama, and romance with strong social commentary.

The Masala Era and Commercial Cinema (1980s–1990s):

In the 1980s and 1990s, Bollywood underwent a transformation with the rise of the "masala" film—highly commercial, formulaic movies that combined elements of drama, romance, action, and music. This era also saw the emergence of major stars like Shah Rukh Khan, Salman Khan, and Aamir Khan, who would define Bollywood cinema for decades to come.

The 1990s, in particular, marked a period of significant change, with the liberalization of the Indian economy bringing a new wave of technology and a growing middle class. Movies like Dilwale Dulhania Le Jayenge (1995) and Kuch Kuch Hota Hai (1998) became massive hits both domestically and internationally, solidifying Bollywood’s place in the global entertainment industry.

The Rise of Independent Cinema (2000s–Present):

While Bollywood remained dominant, the 2000s also saw the rise of independent cinema in India. Filmmakers like Anurag Kashyap, Vishal Bhardwaj, and Zoya Akhtar began creating films that broke away from the conventional norms of mainstream cinema. Movies like Dev.D (2009), The Lunchbox (2013), and Gully Boy (2019) received critical acclaim for their realistic portrayal of complex characters and stories.

The digital revolution has also played a significant role in the evolution of Desi cinema, with the advent of platforms like Netflix, Amazon Prime Video, and Hotstar making it easier for independent filmmakers to reach global audiences. These platforms have allowed for more experimental and diverse content to thrive, with films exploring a wide range of genres.

The Impact of Regional Cinema:

Parallel to the rise of independent films, regional desicinema has also been experiencing a renaissance in India. The success of films like Kumbalangi Nights (2019), Super Deluxe (2019), and Jersey (2021) has brought regional languages and stories to the forefront of Indian cinema. Regional filmmakers are exploring themes that are often more grounded and relevant to local cultures.

Conclusion:

Desi cinema has come a long way, from the golden age of Bollywood to the diverse and innovative films being made today. It has witnessed the rise of new stars, directors, and industries, and it continues to adapt to global trends while retaining its unique cultural identity. Whether it's the glitz and glamour of mainstream Bollywood, the realism of independent cinema, or the compelling narratives of regional films, Desi cinema is more vibrant than ever, and its evolution is far from over.

[tuneindiaradio]

Rajesh Thakur Presents: 1955 – A Year That Shaped History and Bollywood Magic

Explore 1955 with Rajesh Thakur on Tune India Radio. Discover world-changing events and timeless Bollywood hits, including classic songs from Shree 420 and Azaad.

Step back into 1955 with host Rajesh Thakur as we explore the pivotal moments that shaped the world. This was the year rock ‘n’ roll swept across the U.S., revolutionizing music culture, and when technology took major leaps with breakthroughs in computing and the development of the polio vaccine, a milestone in public health. Meanwhile, India witnessed significant shifts, too, with the Bollywood…

[inmyworldblr]

Shree 420 (1955) | dir. Raj Kapoor

[ Nargis and Raj Kapoor ]

[cacatoto-2024]

Nargis Dutt (bahasa Hindi: नर्गिस, bahasa Urdu: نرگس) (1 Juni 1929 – 3 Mei 1981) adalah seorang aktris India yang berkarya dalam perfilman Hindi. Ia berkarier dalam perfilman sejak 1935 dan 1942 hingga 1967, dan menjadi terkenal setelah tampil dalam Barsaat (1949), Andaz (1949), Awaara (1951), Deedar (1951), Shree 420 (1955), Mother India (1957), Yaadein (1964), dan Raat Aur Din (1967). Nargis meninggal dunia pada 3 Mei 1981 akibat��kanker pankreas.

[artcultureretailers]

Rhapsody of Melodies

by Team ACF 0 comment

Way before pigeons became messengers for loved ones, rain used to unite lovers. From the time immemorial we have seen monsoons being the best season to romance, dance, rejoice and spend best of time with yourself and others.

Taking you to the time when songs created history. Raj Kapoor’s performances worked as a magic spell on the audience and PYAAR HUA IQRAAR HUA (1955) tops the list because of its evergreen romance . This song is so beautiful and popular that you can find it in every kind of list like most romantic songs, best Hindi songs, Best Rain Songs in Bollywood etc. From  the movie Shree 420, sung by Mukesh, composed by Shankar-Jaikishen and lyrics penned by Shailendra.  EK LADKI BHEEGI BHAAGI SI (1958) is unavoidable as Kishore Kumar and Madhubala looked beautiful in this funny and quirky songs. Sung by Kishore Da himself from movie Chalti Ka Naam Gaadi. Music was composed by Sachin Dev Burman and Lyrics by Majrooh Sultanpuri. DUM DUM DIGA DIGA got its name engraved in gold with Raj kapoor’s breathless performance in chhaliya (1960)

[ellemshealthwellness]

रमैय्या वस्तावैय्या - Ramaiya Vastavaiya (Lata Mangeshkar, Mukesh,

Md.Rafi, Shree 420) Movie/Album: श्री ४२० (1955) Music By: शंकर-जयकिशन ...

[bollywoodirect]

Today marks the 18th death anniversary of Nadira, the iconic actress of Hindi cinema during the 1950s and 1960s (February 9, 2006).

Nadira, also known as Florence Ezekiel, was a dominant figure in the film industry during the 1950s and 1960s. Renowned for her roles in 'Mud Mud Ke Na Dekh,' she was one of the era's most sought-after actresses, portraying both princesses and vamps. Notably, she was perhaps the first Bollywood star to be driven in a Rolls-Royce.

She is fondly remembered for her outstanding performances in films like 'Shree 420' (1955), 'Pakeezah' (1972), and 'Julie' (1975), the latter earning her the Filmfare Award for Best Supporting Actress.

Originating from Nagpada in south Mumbai, Nadira was a Baghdadi Jew who made a spectacular entry into Bollywood at the age of 19 with Mehboob Khan's 'Aan' (1950), starring opposite the legendary Dilip Kumar.

Her portrayal of the villainous Maya in Raj Kapoor's 'Shree 420', where she captivated audiences with the iconic club-dance number 'Mud Mud Ke Na Dekh,' remains unforgettable to countless fans.

Additionally, the song 'Ajeeb Daastan Hai Yeh,' featuring Nadira alongside Rajkumar and Meena Kumari in 'Dil Apna Preet Parayi,' continues to be a beloved classic.

[hopefulkidshark]

Phir Bhi Dil Hai Hindustani

2000 ‧ Musical/Romance ‧ 2h 48m

Phir Bhi Dil Hai Hindustani (Yet, The Heart is Indian) is a 2000 Indian Hindi-language drama film released by Dreamz Unlimited (now Red Chillies Entertainment). The producers derived the title from lines of the song "Mera Joota Hai Japani" from Shree 420 (1955). Directed by Aziz Mirza…

Ajay Bakshi and Ria Banerji are two rival TV reporters and will stop at nothing to outdo each other. Finally, they team up to help a man seek justice for his daughter who was raped by a politician.

Release date: January 21, 2000 (India)

Director: Aziz Mirza

Producers: Juhi Chawla, Aziz Mirza, Shah Rukh Khan

Distributed by: Eros International

Budget: ₹13 crores

Starring

Shah Rukh Khan Juhi Chawla

Phir Bhi Dil Hai Hindustani - Wikipedia

SHAHRUKH KHAN and JUHI CHAWLA in PHIR BHI DIL HAI HINDUSTANI 2000 | dir. Aziz Mirza